I don’t think I will get much argument if I say that Boris Karloff was the greatest Frankenstein of them all. Although Peter Boyle was pretty good.
Karloff was a British actor that began stage work in Canada and then made his way to Hollywood. He made some silent films but had to maintain jobs such as ditch digger to survive. By 1931 Karloff was on his way with The Criminal Code (1931) and Five Star Final (1931), a film that was nominated for the Academy Award for Best Picture.
Of course, the biggest role of all was that of the monster in Frankenstein (1931). Karloff was about 5 feet 11 inches. The costume that he work for this role had 4-inch platforms and weighed 8 pounds each. Karloff’s costume was designed by Jack Pierce and was copyrighted by Universal Studios making it harder for other studios to copy the success of Frankenstein. Oddly Lon Chaney Sr, father of Wolf Man Lon Chaney Jr. Was offer the role of …
Well now you know. The Franks are here for the month of October. I wanted to thank Katherine over at creepyamericana.tumblr.com for this months logo.
Today I am continuing with the second of the Franks which I believe to be the greatest of the three films made in the 1930s. The Bride of Frankenstein (1935) introduced us to the lighting haired mate of the monster and many other elements that will be clear to any fan of Young Frankenstein (1974).
The Bride of Frankenstein (1935) was directed by James Whale. Whale was born in England and began producing plays while he was in a German POW camp during WWI. Whale had 23 directing credits including The Man in the Iron Mask (1939), Show Boat (1936), The Invisible Man (1933), Frankenstein (1931), Hell’s Angels (1930) (uncredited) working with Howard Hughes. A great quote of Whales is “A director must be pretty bad if he can’t get a thrill out of war, murder, robbery.”
The first actor that will discuss is Boris Karloff. Boris Karloff who was billed in this movie as just Karloff. I don’t think I will get much argument if …